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The featured artist at the 2012 Splashy Fen festival is Zulu guitarist Madala Kunene. (Image: Deon Maritz) For sheer scenic attraction, Splashy Fen is unrivalled.(Image: C-Weed) MEDIA CONTACTS • Mandy Carlo C-Weed Entertainment Promotions for Splashy Fen +27 31 564 9074 • Tess Manders Hilltop Live +27 12 326 0560 • Dawid Fourie RAMfest +27 21 883 3607 or +27 76 416 7230 RELATED ARTICLES • Rocking the nation, and the world • Hot SA musicians head to Cannes • SA’s ‘zef’ trio thrash music scene • Jazz festival brings stars to Cape TownEmily van RijswijckSouth African music lovers are spoilt for choice when it comes to music festivals, from the internationally acclaimed Oppikoppi, to a family affair like Splashy Fen and the award-winning eco-friendly Rocking the Daisies.The mix of eclectic music and under-the-stars camping in Woodstock style which is characteristic of all these festivals is proving to be a winner in the country, with attendance numbers growing each year.Locals and overseas visitors alike turn up in droves to enjoy the vibe.While some, like the RAMfest, are still in their infancy, Oppikoppi turns 18 this year and Splashy Fen came of age in 2011.Festival goers delight in much more than the music though, because each event has its own unique character and attractions. These range from the Oppikoppi bushveld to the majestic Drakensberg vistas of Splashy Fen and the unrivalled Cape Town beauty at Rocking the Daisies.Oppikoppi 18From its small beginnings in 1994 as an Afrikaans music festival, this event has grown into one of South Africa’s most popular and has also caught the attention of the international market.Voted as the fourth-best music festival held outside the UK by British newspaper the Daily Mirror in 2008, over the years the festival has established itself as a ‘must-do’ event in the eyes of its zealous followers.Like its name, which is a variant of the Afrikaans “op die koppie”, meaning “on top of the hill”, the Oppikoppi experience is as diverse as its loyal supporters.Each year offers a different theme such as the 2011 Unknown Brothers, 2010’s Smoor verlief (completely infatuated) and sexy.crooked.teeth of 2009, hinting at the off-the-wall Oppikoppi experiences one can expect.This year Oppikoppi 18 celebrates its new-found maturity.And expect to hear and to respond to the Opppikoppi festival cry regularly. It is simple yet effective: anyone shouting “oppi” will get a raucous and enthusiastic “koppi” reply from all within earshot.A firm favourite is the Couch competition which takes place throughout the three days and involves a couch makeover, the more creative the better. Judges select the best couch of the day and give the winners some time on stage with the performing artists.If you have never been to Oppikoppi, chances are you will be told by most of the regular attendees that “you have not yet lived”. Indeed, for the faithful the festival has become “a near religious experience”, notes the Oppikoppi Facebook page.This year, Oppikoppi will be even bigger with Hilltop Live organisers planning to expand the festival to accommodate 18 000 people.Affectionately referred to as “Mordor” because of the dust and thorns attendees have to contend with, in a way these inconveniences have just added to its popularity.And while most opt for the do-it-yourself experience of putting up their own camp sites, the Kreef Hotel has become an institution in its own right, over the years providing excellent temporary accommodation at Oppikoppi, Splashy Fen, Rocking the Daisies and recently the RAMfest.The word ‘hotel’ is a misnomer; festival goers stay in prepitched tents, albeit with a choice of accommodation, from the luxurious Caviar option which includes a camping bed, bedside table and table light, to the Threesome option, a tent with three mattresses.An initiative started by Chris Kreef in 2001, the hotel is referred to by its founder as a “zero point five star tent hotel for the cream of the scum”.At the least, patrons can expect hot showers, security, an excellent buffet breakfast and pristine portable toilets as part of the package.The Kreef Hotel also offers a “play and stay” option to artists which allows customers to rub shoulders with some of South Africa’s top performers around the fire.Oppikoppi 18 takes place from 9 to 11 August at its regular venue, Oppikoppi Farm in Northam, Limpopo province.Splashy fenSouth Africa’s longest-running music festival is Splashy Fen, established in 1990 by Peter Ferraz and his wife Almary after they attended the Festival of the Flower Children at Woburn Abbey in the UK back in 1967.Bowled over by this experience, Ferraz dreamed about creating a similar experience here South Africa.Some time later he bought a farm outside the dairy community of Underberg in the Mzimkulu River Valley in KwaZulu-Natal. Surrounded by the magnificent Drakensberg mountains, Ferraz realised that this was the perfect venue and he and his wife set about making their dream a reality.He recalls on the website: “We realised immediately that the farm was perfect for a music festival with its natural amphitheatre, great acoustics, breathtaking mountain vistas, winding river and lots of fields for camping. No one could ask for a more ideal setting.”From its early beginnings as a folksy festival for the family, Splashy Fen has grown into one of South Africa’s premier outdoor festivals. While the organisers promise that the basic recipe has not changed, what has changed is the spectrum of music genres on offer, not just folk and rock, but pop, dance and other contemporary styles to appeal to the broadest possible audience.The festival is not just about music. Viewed as a total outdoor experience for the family, it offers craft stalls, children’s entertainment and a number of adventure activities including a drive up the Sani Pass, the notoriously difficult road linking between South Africa and Lesotho. Sani Pass is also famous for having the highest pub in Africa at its summit.This year’s featured act is Zulu guitarist Madala Kunene. No stranger to the Splashy crowd, he’s played 11 festivals so far. Joining him are Van Coke Kartel, Lark, Arno Carstens and Albert Frost, Tidal Waves and a host of other groups and artists.Splashy Fen takes place from 5 to 9 April in Underberg at the foothills of the Southern Drakensberg in KwaZulu-Natal.The RAMfest A rock and alternative music festival which started in the Cape, RAMfest will be taking the vibe to five cities this year.Cape Town, Durban, Johannesburg, Bloemfontein and Port Elizabeth will host a variety of local groups, while four international acts have been signed up for Cape Town and Johannesburg: AWOLNATION from the US joins Swedish group In Flames, Infected Mushroom from Israel and drum and bass master NETSKY from Belgium.This is the first time the Swedish metalheads visit South Africa. “Get ready to hear some delicious metal brewed and matured in Sweden,” says vocalist Anders FridenRAMfest kicks off on 2 March at Hume Park in Port Elizabeth, then moves on to the Mystic Boer on 3 March in Bloemfontein, before heading out to Durban on 9 March.Following that, Gauteng residents can catch the line-up at Riversands Farm on 10 March and for those in the Western Cape, Ostrich Ranch in Cape Town on 11 March is the place to be.Festival goers can camp at the venues in Cape Town, Johannesburg and Port Elizabeth.Rocking the DaisiesRocking the Daisies is a Cape Town music and lifestyle festival which has made a name for itself as one of the greener events on the calendar. In 2011, Rocking the Daisies won a Climate Change Leadership Award for the second year in a row. A first in South Africa, the programme recognises and reward those who voluntarily implement activities to combat climate change.Besides its recycling efforts during the festival, Rocking the Daisies buys all its electricity from the Darling Wind Farm, South Africa’s very first farm of this nature.Rocking the Daisies is not just a music event, but offers a diverse line-up from stand-up comedy to gumboot dancing.Rocking the Daisies is preceded by a curtain raiser, Sowing the Seeds, which took place in February. The main event is set to take place in October 2012.Alternative festivalsEarthdanceThe annual Earthdance is a little different, and coincides with the international version. This event is aimed at bringing about peace and unity through group consciousness.Since its inception, Earthdance has been held annually in over 500 locations in 80 countries and is a regular event on the South African calendar.While some of the Earthdance festivals are more esoteric than others, Earthdance Johannesburg will this year be more commercial in nature, but the essential message of peace and sustainable living remains, the organisers confirm.“We want to create an event for all people and for all ages with all kinds of music to listen to.”Earthdance will take place on 22 September at venues still to be confirmed in Cape Town, Johannesburg and Port Elizabeth.AfricaBurnIn similar vein, an alternative festival called AfricaBurn, entirely set up and run by volunteers, takes place in the town of Tankwa in the Karoo every year.The AfricaBurn experience is unique in that it focuses strongly on self-expression, whether in the form of art, music or performance. Expect to be surprised as attendees are encouraged to “go ahead and do it”, with few limitations on creativity other than respecting others and adhering to safety rules.As forum member Travis puts it: “We do not determine what is going to be played – you do! And no one genre of music dominates this festival. We also don’t determine how it is going to be played.”AfricaBurn’s theme for 2012 is Mirage. It takes place from 25 to 30 April.
Share Facebook Twitter Google + LinkedIn Pinterest Many in agriculture are not pleased with the U.S. Environmental Protection Agency release of its draft report for the ecological risk assessment of atrazine.Here is the abstract from the EPA draft report released yesterday.“This refined assessment presents the ecological risks posed by the use of the herbicide atrazine. Based on the results from hundreds of toxicity studies on the effects of atrazine on plants and animals, over 20 years of surface water monitoring data, and higher tier aquatic exposure models, this risk assessment concludes that aquatic plant communities are impacted in many areas where atrazine use is heaviest, and there is potential chronic risk to fish, amphibians, and aquatic invertebrates in these same locations. In the terrestrial environment, there are risk concerns for mammals, birds, reptiles, plants and plant communities across the country for many of the atrazine uses. EPA levels of concern for chronic risk are exceeded by as much as 22, 198, and 62 times for birds, mammals, and fish, respectively. For aquatic phase amphibians, a weight of evidence analysis concluded there is potential for chronic risks to amphibians based on multiple effects endpoint concentrations compared to measured and predicted surface water concentrations. The breadth of terrestrial plant species and families potentially impacted by atrazine use at current labeled rates, as well as reduced rates of 0.5 and 0.25 lbs. a.i./A, suggest that terrestrial plant biodiversity and communities are likely to be impacted from off-field exposures via runoff and spray drift. Average atrazine concentrations in water at or above 5 μg/L for several weeks are predicted to lead to reproductive effects in fish, while a 60-day average of 3.4 μg/L has a high probability of impacting aquatic plant community primary productivity, structure and function.”The report was a concern to the farmers who rely upon atrazine in their operations.“With more than 7,000 scientific studies over the past 50 years, atrazine has been proven to be a safe and effective crop management tool. It is one of the most reliable herbicides available,” said Chad Kemp, president of the Ohio Corn & Wheat Growers Association. “We are dismayed and astounded that the EPA chose to fly in the face of guidance from its own Science Advisory Panel and base this assessment on studies the panel found flawed just four years ago. The trust level in this assessment plunges knowing that faulty studies were used as the basis of this evaluation.”Kemp said that farming without atrazine could cost corn farmers up to $59 per acre, according to a 2012 study by the University of Chicago.“And who pays the price for this not-so-scientific assessment? Consumers will face higher food costs as yields decrease and farm operating costs rise,” Kemp said. “We are deeply disappointed that the EPA has once again chosen to ignore science and, by doing so, has demonstrated its lack of support for and understanding of the farming industry and the negative economic impact its decisions place on consumers. We are urging all farmers and others who care about a plentiful, affordable food supply to contact the EPA and tell them to base their decision on sound science.”The EPA’s draft report on the herbicide atrazine is cause for alarm, according to the Triazine Network, a national coalition of farm organizations representing well over 30 agricultural crops in over 40 states. The group insists if EPA continues to use the same false logic or endpoints as noted in the preliminary risk assessment, it could lead to a de facto ban on atrazine.“EPA’s flawed atrazine report is stomping science into the dirt and setting farmers up for significant economic hardship. We challenge this latest proposal and insist EPA abide by federal law that requires the agency to make determinations based on credible scientific evidence,” said Gary Marshall, Triazine Network Chairman. Marshall is executive director of the Missouri Corn Growers Association. “Again and again, we must ask EPA to follow the law. A regulatory agency should not need to be reminded of that detail.”The Triazine Network asserts the federal agency discounted several high-quality studies and instead used studies EPA‘s own 2012 Scientific Advisory Panel (SAP) deemed flawed. According to the latest report, EPA is recommending aquatic life level of concern (LOC) be set at 3.4 parts per billion (ppb) on a 60-day average. The EPA’s current LOC for atrazine is 10 ppb, however a diverse universe of scientific evidence points to a safe aquatic life LOC at 25 ppb or greater. The proposed level cuts average field application rates down to 8 ounces per acre.“At the proposed level, atrazine would be rendered useless in controlling weeds in a large portion of the Corn Belt, effectively eliminating the product,” Marshall said. “It sets a dangerous precedent when it comes to approving crop protection tools, puts farmers at a great economic disadvantage and would drastically set back conservation efforts. If EPA abandons the recommendations of their own Science Advisory Panels and more than 7,000 science-based studies in favor of activist agenda’s and politics; they will have lost all credibility”EPA reregistered atrazine in 2006 and began its regularly scheduled registration re-review June 2013. The process typically takes six years to complete. Once the draft report is published in the Federal Register, EPA will begin collecting comments for 60 days.
Tags:#Apple#NYT#Trends#Video Services#web Why Tech Companies Need Simpler Terms of Servic… sarah perez Top Reasons to Go With Managed WordPress Hosting Related Posts NBC isn’t hopping on the iPad bandwagon, according to recent reports. The media giant known for popular shows like “The Office” and “30 Rock” reportedly told Apple it won’t be making any of its online shows iPad-compatible anytime soon. And it’s not alone. Sources cited by The New York Post’s Claire Atkinson say that Time Warner and several other “large media companies” are forgoing what they claim is an expensive reformatting of their video libraries. But is conversion expense the real reason why some media companies are eschewing the Apple iPad craze? Or is the fact that the ad dollars just aren’t there yet to make it worth their while?That some media companies aren’t “iPad-ready” isn’t new information by any means, but the fact that it’s being rehashed, re-reported and re-analyzed is notable, especially following Google’s newfound partnership with Adobe, whose Flash plugin stills powers much of the video on the Web today. With support for Flash in both the upcoming Google TV platform, as well as in Google’s Android mobile operating system (an OS that’s now outselling Apple’s iPhone), Google is making it clear that for the time being, the Web still needs Flash. And media companies like NBC and Time Warner are along for the ride. Why convert videos for the iPad when Android may dominate? Why waste time on “iDevice” support when ad dollars associated with streaming media barely impact the bottom line? These are the very questions major media companies are considering as we speak. Streaming Ads Don’t PaySome TV and video is available for free on the iPad today, but it’s still more limited that what you would find on the Web in general. ABC has an iPad app, but that’s not surprising considering that the Disney-owned property has Jobs as its largest shareholder. CBS has an iPad-friendly site, but only a few shows are available, and media-filled sites like CNN, Fox News, ESPN.com and others offer varying degrees of iPad-readiness. But NBC won’t be following these early adopters, it appears. There’s a very telling quote about this issue from NBC Universal’s president and CEO, Jeff Zucker, that he delivered in January. Speaking about tech advances and the iPad in particular, he said, “We believe in ubiquitous distribution of our content and the fact is consumers want to engage with our content wherever they are… As long as we get paid for that content, we don’t really care where it’s displayed or where it’s used.” “Get paid,” he said. Streaming video sites, even the NBC Universal creation Hulu.com, have been struggling to make that a reality. Although Hulu finally reached profitability this year, the numbers aren’t anywhere near what traditional TV advertising brings in. Hulu’s revenue topped $100 million in 2009, according to Hulu chief Jason Kilar. To put that in perspective, a 30-second national broadcast TV commercial maybe makes around $300,00-$500,000 these days. Too Expensive to Convert? But is there any truth to the claims that conversion is too expensive? Open-Web zealots will tell you that’s a bunch of “FUD” – conversion costs are minimal and there are plenty of solutions out there for ditching Flash and moving to HTML5, the upcoming Web standard that supports plugin-free video viewing. In reality, while HTML5-enabled video streams are possible today, large media publishers are still waiting for video platform providers to catch up to the capabilities Adobe’s Flash currently offers, including rich analytics, advertising and engagement tracking, and more. That’s just around the corner, though. For example, video platform provider Brightcove will be on par with Flash by year-end, according to its published roadmap. However, the expense of conversion is not necessarily as trivial as Apple CEO Steve Jobs has made it seem. The truth, said Brightcove CEO Jeremy Allaire, is that “it depends.” As he told us earlier, publishers that use homegrown video solutions will have more expenses associated with the creation of HTML5 websites. But for customers using platform solutions (like his, of course), the transition is much easier. But Flash and HTML5 will co-exist for years, he said. It’s not a matter of ditching one for the other. That means companies offering an iPad-compatible website must maintain it separately and there is some cost involved with that, minimal as it may be. But Conversion Cost Isn’t the Problem Here: NBC & Others Just Want to Make MoneyLast month, The New York Times reported that NBC execs were showing off a mock-up of an iPad/iPhone-compatible mobile website that offered full episodes of popular shows, ready for streaming. At the last minute, however, the company decided to block iPad viewing of these shows. At present, only clips and the short-form “webisodes” play on the iPhone or iPad. The fact that NBC had already gone so far as to build a mock-up of an iPad-friendly site makes the whole “it’s too expensive” argument questionable, at least in this case. So let’s get real about this. NBC isn’t a great network these days. In fact, it hasn’t been “must-see TV” since “Friends” or maybe even the “Seinfeld” era. Olympics coverage notwithstanding, the network trailed others during the past season, losing out to Fox and CBS, both of whom were riding high on the return of the sitcom and reality programming. Does NBC want to give away its best content for free right now? No. If anyone is bothering to tune into NBC at all, they had better be paying for it, thinks the network, either via their eyeballs glued to the TV screen, via a paid-for iTunes download or perhaps soon, via a subscription to the long-rumored, but still unrealized Hulu iPad application. Curse, NBC, Time Warner and other iPad holdouts if you want for limiting the fun you can have with your new slate computer. But for them, the iPad isn’t pushing these companies toward the quick adoption of HTML5-powered video – it’s pushing them to figure out a business model for making video pay. A Web Developer’s New Best Friend is the AI Wai… 8 Best WordPress Hosting Solutions on the Market
Last week I wrote about sunspaces and how they can be used to deliver passive solar heat to our homes. Another option for passive solar heating is the Trombe wall, or thermal storage wall.While the sunspace is an “isolated-gain” solar system, a Trombe wall is an “indirect-gain” system. Here’s how it works: On the south side of a house you have a high-mass concrete or masonry wall whose exterior surface is painted a dark color. A layer of glass (or some other type of clear or translucent glazing) is held away from the wall surface by a few inches or more. Sunlight shines through the glazing and is absorbed by the dark wall, which heats up. The solar heat conducts into the wall where it is stored, and it gradually moves through the wall to the inner surface, where it radiates its warmth to the room.A short history of Trombe wallsThe Trombe wall is named after a French engineer Félix Trombe, who popularized this heating system in the early 1960s. The idea actually goes back a lot further. A thermal-mass wall was patented in 1881 by Edward Morse. In the U.S., interest in Trombe walls emerged in the 1970s, aided by researchers at Los Alamos National Laboratory in New Mexico.I was fortunate enough to be working in Santa Fe in the late 70s, for the New Mexico Solar Energy Association, and I became particularly interested in Trombe walls. In fact, my first article in a national magazine was on Trombe wall retrofits — in Solar Age magazine in 1979. I also wrote the obscure Thermal Storage Wall Design Manual in 1979 (see photo), which gained some prominence among the small cadre of passive solar designers around that time.Trombe walls are particularly well-suited to sunny climates that have high diurnal (day-night) temperature swings, such as the mountain-west. They don’t work as well in cloudy climates or where there isn’t a large diurnal temperature swing. In New Mexico, where homes have been built out of adobe (dried mud) bricks for hundreds of years, even an unglazed south wall will deliver some heat into the house — if you add a frame and layer of glazing on the outside of the wall the performance improves dramatically.We are used to insulating walls, but with Trombe walls there is no insulation. The system works with a material that is both very heavy (high heat capacity) and fairly conductive (low R-value per inch). The trick is to choose the right material and size the wall thickness so that the solar heat makes it through to the inner surface by nighttime. If it’s too thick, it won’t be as effective at delivering solar heat, and if it’s too thin it will result in too much heat loss at night.Tweaking a Trombe wallAn overhang is typically built that extends out over the Trombe wall above it. This will shade the wall from direct sun during the summer (when the sun is high overhead), but allow full solar exposure in the winter (when the sun is lower in the sky).Top and bottom vents can be installed through the masonry wall to deliver more heat into the house during the daytime hours. Warm air in the space between the glazing and wall surface rises and enters the room, being replaced by air from the house entering through the lower vents in a convective loop. These vents should be closed at night so that the air circulation doesn’t reverse, with air next to the glazing cooling off and pulling in warm air from the room through the upper vents and delivering chilled air to the room through lower vents.Vents through the glazing can also be installed and seasonally opened and closed. In the summer months — when you don’t want the Trombe wall delivering heat into the house — these vents are left open. Screens on the vents keep out insects and other unwanted visitors.Like other passive solar heating systems, Trombe walls don’t require fans or pumps. Part of the house itself is turned into the solar heating system.In addition to this Energy Solutions blog, Alex contributes to the weekly blog BuildingGreen’s Product of the Week, which profiles an interesting new green building product each week.Alex is founder of BuildingGreen, Inc. and executive editor of Environmental Building News, which is now in its 20th year. To keep up with his latest articles and musings, you can sign up for his Twitter feed.
8 Best WordPress Hosting Solutions on the Market Visit GeekSugar for the full slideshow of Instagram alternatives for your app library.More from GeekSugarFun Camera LensesGadgets, Cords, And Apps: 11 Summer Travel Tech Essentials8 Great Summer Reads For GeeksGadgets And Gear For The Perfect Summer PartyDownload Of The Day: Strut TypePerfect Posture: 7 Tablet Stands That Get The Job Done Editor’s note: This post was originally published by our partners at GeekSugar.com. It’s unlikely the public’s love of Instagram will die down any time soon, but what if you just want to bring an app of fresh air to your smartphone camera routine?Consider expanding your vision to other apps. Just like the photography service you already know so well, there are plenty of other awesome apps and communities for beautiful photos.#1 Hipstamatic ($2)Let’s face it — Hipstamatic was here first, and it remains the thinking woman’s app since you have to decide which lens and film you want to use before snapping a pic. Much like real photography, you’ve got to know what equipment works best in your environment. A Web Developer’s New Best Friend is the AI Wai… kristy korcz Tags:#Photo Sharing Services#web Top Reasons to Go With Managed WordPress Hosting Why Tech Companies Need Simpler Terms of Servic… Related Posts
Get the Free eBook! Want to master cold calling? Download my free eBook! Many would have you believe that cold calling is dead, but the successful have no fear of the phone; they use it to outproduce their competitors. Download Now You want exponential growth. You want a curve that bends sharply upwards.It’s easy to be tempted into believing that the next big idea to come along, the next shiny object, will be what finally unleashes the potential within you (or your sales organization). But, as painful as it is to tell you this, a large S-curve isn’t likely the result of your next big idea or shiny object. The large S-curve you seek is made up of a bunch of smaller S-curves.Just a Little Bit BetterIt’s not very sexy to talk about exponential growth in the terms of small improvements, but most of the time that’s how it starts. You get a little bit better. And then you get a little bit better than that. And so on, and so forth, onwards and upwards.Maybe you get a little better at prospecting. And then you get a little bit better of helping your dream client diagnose their needs, collaborating with them on what’s next. And then you get a bit better at building consensus, all the while capturing these improvements. So one little S-curve leads right into the next little S-curve.Stacking and Starting from a Higher PointAs you improve, you stack one little S-curve on top of the preceding S-curve. The new S-curve starts where the last S-curve ends. You’re stacking improvement on top of improvement, each time starting from a higher point, until you finally begin to improve exponentially.It’s not exciting to talk about the small S-curves. Not many are interested in talking about how you make the small gains that eventually build the platform for exponential growth. It’s more interesting to search for the silver bullet, the magic answer, the shiny object that promises to deliver the large S-curve now. But if you want exponential growth, start thinking about how you might link together a lot of little S-curves.QuestionsWhat does it take to produce exponential growth?Why do we seek shortcuts to big results? How often do they really work?Why do we avoid making all of the smaller, less interesting improvements that build a platform form which to grow exponentially?What little improvements might you make that, if linked together, would give you a massive improvement curve?
Columbian forward CJ Perez is top PBA rookie for March Cayetano: Senate, Drilon to be blamed for SEA Games mess Ethel Booba twits Mocha over 2 toilets in one cubicle at SEA Games venue After a sizzling first day showing that saw Pasig Chooks and Balanga Chooks stunning top-ranked teams, they were stopped on their tracks by eventual champion Riga Ghetto, 15-21, and Liman, 21-19, respectively in the knockout playoff round late Friday.But Chooks-to-Go Pilipinas 3×3 commissioner Eric Altamirano was none the less satisfied with what he saw from the Filipino bets.FEATURED STORIESSPORTSPrivate companies step in to help SEA Games hostingSPORTSPalace wants Cayetano’s PHISGOC Foundation probed over corruption chargesSPORTSSingapore latest to raise issue on SEA Games food, logistics“We made a statement that we belong here in the World Tour,” said Altamirano. “ “Seeing the level of play here and knowing that we can keep up with the world’s best, it will definitely make our players hungrier to get back in the next legs of the World Tour.Pasig and Balanga went 2-0 in the group stages. The Chooks to Go Pilipinas 3×3 champions took down no. 1 team Liman while Balanga shocked Riga, 19-17, to kick of their campaign. LATEST STORIES The Pasig quartet of Taylor Statham, Joshua Munzon, Angelo Tsagarakis, and Nikola Pavlovic claimed the fifth place to bring home $5,000 while Balanga’s Travis Franklin, Alvin Pasaol, Karl Dehesa, and Santi Santillan came in next in the 12-team meet.Chooks-to-Go Pilipinas 3×3 league owner Ronald Mascariñas vowed to continue support to help raise the level of 3×3 basketball in the country.“Now that we are back in the game, we will join every 3×3 tournament FIBA wants us to join,” he declared. “This is just the start for us. We will continue to raise the level of our league, hoping that one day we can be seen by the world as one of the elite 3×3 basketball countries.”Pasig Chooks is schedule to play in Kunshan Challenger, a qualifier to the Chengdu Masters, from May 18 to 19.ADVERTISEMENT Philippine Arena Interchange inaugurated MANILA, Philippines—The Philippine teams may have failed to make a deep run in the 2019 Fiba 3×3 World Tour Masters, but they proved that they could keep up with the world’s best in the sport.ADVERTISEMENT DA eyes importing ‘galunggong’ anew SEA Games hosting troubles anger Duterte MOST READ Palace: Duterte to attend Asean Summit in Bangkok but with ‘spacing’ PLAY LIST 01:09Palace: Duterte to attend Asean Summit in Bangkok but with ‘spacing’01:44Undas tradition: 2 mom’s crusade against trash at cemeteries00:50Trending Articles02:42PH underwater hockey team aims to make waves in SEA Games01:44Philippines marks anniversary of massacre with calls for justice01:19Fire erupts in Barangay Tatalon in Quezon City01:07Trump talks impeachment while meeting NCAA athletes02:49World-class track facilities installed at NCC for SEA Games02:11Trump awards medals to Jon Voight, Alison Krauss Don’t miss out on the latest news and information. Panelo: Duterte ‘angry’ with SEA Games hosting hassles Hontiveros presses for security audit of national power grid Private companies step in to help SEA Games hosting Sports Related Videospowered by AdSparcRead Next View comments
Minister of Health, Dr. the Hon. Christopher Tufton, says the new addition to the Accident and Emergency Unit at the Cornwall Regional Hospital, in Montego Bay, will facilitate efficient administration of care at the health facility.Dr. Tufton was speaking at the ground breaking ceremony for a Diagnostic Centre – Radiology Department – as well as the handing over of the additional space designated for the Accident and Emergency Unit, on Thursday (September 13).“The Ministry took the deliberate decision [to expand the department], recognizing the need for accident and emergency as a critical part of any hospital operation. This will provide an opportunity for a more efficient administration of accident and emergency, because a Type A hospital needs a proper accident and emergency facility,” he said.Meanwhile, Dr. Tufton noted that the diagnostic centre, when completed, will offset costs, as the Ministry will no longer have to outsource diagnostic services.“Because of the challenges that we face, we have had to spend a lot of money on outsourcing diagnostic services. For example, X-rays in 2017 cost us $21 million and if you look at CT Scans at private facilities, $37.5 million, so we have had to spend this money,” explained Dr. Tufton.For his part, Chief Executive Officer of the Cornwall Regional Hospital, Alwyn Miller, lauded the staff of the hospital, particularly those in the Accident and Emergency Unit, for their “yeoman service on the front lines of the hospital.” “They have worked very hard under difficult conditions and we must recognize them, as their tasks have been significant,” he said.
APTN National NewsAt the Pickton inquiry Monday the question was finally asked directly to the police: Why did it take so long to catch serial killer Robert Pickton?Vancouver’s deputy police chief began his testimony by reviewing his 450 page report that analyzed where police went wrong.APTN National News reporter Wayne Roberts was at the inquiry.